Literary Satanism-4

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 Among the romanticist poets to adopt this view of Satan was the English poet Percy Bysshe Shelley, who had been influenced by Milton.[91] In his poem Laon and Cythna, Shelley praised the "Serpent", a reference to Satan, as a force for good in the universe.[92] Another was Shelley's fellow British poet Lord Byron, who included Satanic themes in his 1821 play Cain, which was a dramatization of the Biblical story of Cain and Abel.[87] These more positive portrayals also developed in France; one example was the 1823 work Eloa by Alfred de Vigny.[93] Satan was also adopted by the French poet Victor Hugo, who made the character's fall from Heaven a central aspect of his La Fin de Satan, in which he outlined his own cosmogony.[94] Although the likes of Shelley and Byron promoted a positive image of Satan in their work, there is no evidence that any of them performed religious rites to venerate him, and thus it is problematic to regard them as religious Satanists.

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